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I am using it to make ambient/post-rock sounds, and loving this pedal, it's always on now.
Pros:
Can go 100% wet
Creative interesting reverbs.
Top mounted jacks.
Sounds Fantastic
Cons:
Only 3 reverb algorithms available for ~£170
It's not a overly complex box that once you understand the controls it's quick to find a good sound that can create oodles of ambiance, you can hit that sustain and now it's infinite, you can then add modulation depth and make your ambiance much more involved.
Dream and Dark are great for more typical reverb sounds, but one of the funnest sounds I've found is sending distorted sounds in to Rise mode with 100% wetness to make for these delightful swells, that work similarly to swelling with a pedal or volume knob, but much simpler to achieve.
I've not had a chance but I think I could use that could be used for creative sounds outside of guitar but I'd need to try plugging a synth / bass into it really to further explore what it can do.
Appearance wise it's quite something to look at on your pedalboard and at the end of the day I think we can all agree that's all that really matters.
I am using it to make ambient/post-rock sounds, and loving this pedal, it's always on now.
Pros:
Can go 100% wet
Creative interesting reverbs.
Top mounted jacks.
Sounds Fantastic
Cons:
Only 3 reverb algorithms available for ~£170
It's not a overly complex box that once you understand the controls it's quick to
I am using it to make ambient/post-rock sounds, and loving this pedal, it's always on now.
Pros:
Can go 100% wet
Creative interesting reverbs.
Top mounted jacks.
Sounds Fantastic
Cons:
Only 3 reverb algorithms available for ~£170
It's not a overly complex box that once you understand the controls it's quick to find a good sound that can create oodles of ambiance, you can hit that sustain and now it's infinite, you can then add modulation depth and make your ambiance much more involved.
Dream and Dark are great for more typical reverb sounds, but one of the funnest sounds I've found is sending distorted sounds in to Rise mode with 100% wetness to make for these delightful swells, that work similarly to swelling with a pedal or volume knob, but much simpler to achieve.
I've not had a chance but I think I could use that could be used for creative sounds outside of guitar but I'd need to try plugging a synth / bass into it really to further explore what it can do.
Appearance wise it's quite something to look at on your pedalboard and at the end of the day I think we can all agree that's all that really matters.
Bought this reverb after looking up a few youtube videos. I've had a EHX cathedral before and was able to play on a few other known reverb pedals. Just from pluging the guitar in straight to my soundcard without any amp sims the sound became so much warmer and detailed. Like switching from a shit soundcard to a perfect spanky crisp DI signal.
I've only had it or 2weeks now but still havent figured out all the settings but for each reverb type you can just look it up on youtube. So i'll just say the pro's to this besides the amazing sound and reverb it gives is that there's something constantly happening with the reverb so its really good for experimenting and getting a whole lot of different sounds(from swells with octaves, weird sink detunes, amazing lush post rock ocean deep souns) but will also give you the typical reverb if you want.
CLARITY
If you're not sure about getting a Slo or another reveb pedal, I'd suggest get both. There's no losing with getting this pedal.
Bought this reverb after looking up a few youtube videos. I've had a EHX cathedral before and was able to play on a few other known reverb pedals. Just from pluging the guitar in straight to my soundcard without any amp sims the sound became so much warmer and detailed. Like switching from a shit soundcard to a perfect spanky crisp DI signal.
I've only had it or
Bought this reverb after looking up a few youtube videos. I've had a EHX cathedral before and was able to play on a few other known reverb pedals. Just from pluging the guitar in straight to my soundcard without any amp sims the sound became so much warmer and detailed. Like switching from a shit soundcard to a perfect spanky crisp DI signal.
I've only had it or 2weeks now but still havent figured out all the settings but for each reverb type you can just look it up on youtube. So i'll just say the pro's to this besides the amazing sound and reverb it gives is that there's something constantly happening with the reverb so its really good for experimenting and getting a whole lot of different sounds(from swells with octaves, weird sink detunes, amazing lush post rock ocean deep souns) but will also give you the typical reverb if you want.
CLARITY
If you're not sure about getting a Slo or another reveb pedal, I'd suggest get both. There's no losing with getting this pedal.
For a rundown of all the features, my suggestion is to watch the videos. Essentially, this is all about long, modulated reverbs. For me , with a little chorus, it's evocative of Cocteau Twins more than MBV. While previously I was never a big reverb user, I find I have it pretty much always on at shows now.
It's a very long and bright reverb that can be filtered (great), but the decay time is essentially static. The decay knob is really a dampening knob, and while it does reduce the high frequency decay the low end rumbles on. This approach makes sense in that the reverb they designed is the one you hear, but it makes it a little less flexible. Very short reverbs are not really an option!
I use it on the middle setting, where the X causes a ramp up effect which is great for either doing reverse-reverb esque sounds or allowing you to keep your guitar transient intact.
The octave down setting, while cool, is not something I could see using in a band setting. However the Dream's "latch" reverb is perfect for those who might want to create pads or beds. I often find myself using the sustain button to create little noise walls during jams.
Overall, great pedal. Does its thing, and its thing is very cool.
For a rundown of all the features, my suggestion is to watch the videos. Essentially, this is all about long, modulated reverbs. For me , with a little chorus, it's evocative of Cocteau Twins more than MBV. While previously I was never a big reverb user, I find I have it pretty much always on at shows now.
It's a very long and bright reverb that can be
For a rundown of all the features, my suggestion is to watch the videos. Essentially, this is all about long, modulated reverbs. For me , with a little chorus, it's evocative of Cocteau Twins more than MBV. While previously I was never a big reverb user, I find I have it pretty much always on at shows now.
It's a very long and bright reverb that can be filtered (great), but the decay time is essentially static. The decay knob is really a dampening knob, and while it does reduce the high frequency decay the low end rumbles on. This approach makes sense in that the reverb they designed is the one you hear, but it makes it a little less flexible. Very short reverbs are not really an option!
I use it on the middle setting, where the X causes a ramp up effect which is great for either doing reverse-reverb esque sounds or allowing you to keep your guitar transient intact.
The octave down setting, while cool, is not something I could see using in a band setting. However the Dream's "latch" reverb is perfect for those who might want to create pads or beds. I often find myself using the sustain button to create little noise walls during jams.
Overall, great pedal. Does its thing, and its thing is very cool.
